Jo Warren is a New York based performer, choreographer, tattooer and personal trainer whose work intersects at the body as a site of potential and a tool of resistance. In their time in New York, Jo has shared original work at AUNTS, The Performance Mix Festival, Judson Memorial Church, the Exponential Festival, The Brick Theater and at Socrates Sculpture Park through Pioneers Go East Collective. Their work has been described by Culturebot as “operatic” and “subtly campy and hilariously queer” by the Brooklyn Rail. Jo has had the pleasure of performing with artists such as Sarah Michelson, Beth Gill, Anna Sperber, the LAVA acrobatic dance company, Vanessa Anspaugh, Lisa Fagan and Lena Engelstein. They are part of the original and touring cast of Faye Driscoll’s Weathering.

“I’m interested in making what is familiar to us strange again: playing with tropes, clichés, and stereotypes that circulate through culture (and settle into our bodies) and interrogating their ubiquity. As a trans artist, I try to use my work to expose the flimsiness of binaries, borders, and the names we use to fix meaning. My projects engage gendered archetypes from film and popular media - the outlaw, the housewife, the martyr, the businessman, the showgirl - and examine the dynamics of dominance and submission that move through them. By queering these recognizable figures and relational patterns, I aim to disorient: to ask what it might feel like, even briefly, to undo what we think we know and to enter more unruly, honest terrain where categories blur and distinctions begin to fail.

My work is deeply informed by American culture and by the cumulative impact of over a century of media-produced images that shape our understandings of gender, desirability, power, and violence. America is a nation-state built on myth-making and false icons, and I am interested in how these monolithic images might be co-opted, repurposed, and reimagined. I am particularly drawn to archetypal masculinities and the ways they surface and burst through my own improvisational practice.”